Author Archives: Brendan F

About Practice

Here’s a good write-up about daily practice for parents with young students.   Thanks Billie!

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The success of all educational pursuits is in large part determined by consistency.   This is especially true for string students.  For them, the consistency required for adequate progress must be the result of a collaborative effort between parent and teacher.   It is the teacher’s job to fill the lesson with activities that prepare students for success.  It is the parent’s responsibility to develop and maintain an environment that allows daily reinforcement of what occurs during the lesson.

We know that there are days when it is not possible to fit in a practice session.  However, there are three guidelines to keep in mind when scheduling your child’s week:

  • No week goes by without a minimum of five days of practice.
  • Even under extreme circumstances, never allow two days in a row of missed practice.
  • The first practice session should take place within 24 hours of the lesson.

The best results come from cumulative, daily practice; what we do in the lesson can never make up for lack of practice.

The child who practices at the same time each day makes significantly greater progress than the child who does not.  Because each child has a different schedule, the best practice time is one that suits him or her.  With this in mind, you and your child should set aside a mutually agreed upon time to practice.  This time should be used only for practice-  no interruptions from phone, video games, tv or errands.  Children practice best in private.  Most successful students seem to practice right before school or immediately after dinner.  Don’t allow anything short of illness or emergency to interfere with this schedule.

Practicing is not so much a matter of time spent, but a matter of mind spent.  Your child should practice long enough to cover the entire weekly assignment, including warm-up scales/exercises, new music and review pieces.  Practice should be short enough to stay within the student’s attention and interest span.  Therefore it may be beneficial to schedule two shorter periods to practice each day, rather than one long period.

Other suggestions:

  • Immediately after the lesson, ask your child what they learned that day, and to show you the new assignment in his or her lesson book.
  • At the first practice session following the lesson, spend a few minutes helping practice one or two pieces.  Even if you do not play an instrument, encourage your child through instructions on the assignment sheet in the lesson book.
  • If there are questions about assignments,  do not hesitate to contact me!

Soapbox Summer Songwriters Workshop Wrap-up

2012 summer songwriters wrap-up

At the end of June, Soapbox Music partnered with Rock The Cello to host a first-ever week-long summer songwriting workshop for middle school students at the Chicago Waldorf School and Soapbox Music in Logan Square.   

 

The workshop itself was envisioned as an experiment– an investigation into the possibilities at the intersection of teaching and creativity.     Organizers asked themselves and camp participants a series of questions:  What is a song?   What are some approaches to creating a new one?  How can this process be made collaborative?   Everyone involved had a great time and learned a lot– whether about writing songs, micing string instruments, or the logistics of summer camps and large-group CTA rides.

Read more at http://www.soapboxchicago.com/blog/2012-summer-songwriters-wrap

Swell Piece

Played on Oak Street Beach yesterday, the solstice, in a performance of Swell Piece by James Tenney, with Nomi Epstein and A.pe.ri.od.ic.    The idea was to space out the 16 performers, each doing their own swells, so that observers could walk between us and experience shifting perspectives and textures.  Which many did.  It was an interesting performance.   Very meditative.  I concentrated on bow contact, and looked out over Lake Michigan.  I noticed that my perception of time was affected by bow speed — a weird Einstein revelation.   Here’s a write up in the reader 

practicing singing and playing cello

I’ve been struggling a lot with this recently.  It’s my next cello goal, and Black Tie Elephant songs will start to incorporate some vox.   I made a first attempt last week at a farewell celebration for my boss Jeff at CWS —  playing and singing ‘I’ll follow the sun’  by The Beatles.  I was really nervous — the whole simultaneous sing/play thing takes me waaaay out of my performing element.   Which is a good thing, I’ve realized!! 

I’ve been able to sing and play guitar or piano for many years,  but it’s MUCH more demanding on cello.   First, you have to think about the arrangement — unlike guitar, cello is pretty much non-chording, so cello line needs to be arranged to play the missing note (or two notes) in the chord: notes that aren’t being sung.  Then, you have to work on your bowing,  making sure there is independence between repetitive bow pattern and vocal rhythms.  This is similar to practice strumming patterns on guitar.   Then the real tricky bit:  double stop pitch.   Unless you’re playing an open string, there is no fixed pitch to rely on!  No frets, no keys :/   Intonation is really disorienting!  Right now I’m practicing listening for open strings and using them as tonal anchors as much as I can.  Even doing so, double stops are killer.  It’s hard to know which notes need to adjust! 

But when you get it down, like singing and playing guitar it’s a really liberating experience, so it’s totally worth the practice! 

Songwriting & Recording Workshop is full!

The first week-long Summer Songwriting & Recording Workshop at Chicago Waldorf School and Soapbox Music June 25 – 29 filled all available spots this week! We’re looking forward to an exciting time of listening, music-making and writing, and then to an awesome time recording our new songs with Zirafa at Soapbox! Expect surprise guest songwriters 🙂  

What it’s all about

If you ever lose sight of why you’re practicing all those hours and need a reminder, a little motivation, here’s a little Time For 3,  including my old WWS schoolmate Nick Kendall.  The guy lives and breathes the violin.  It’s amazing.   You can’t help loving it.   It’s what string music is all about!