Tag Archives: Bach

Easy cello duo and trio arrangements of Bach’s “Jesu, Joy Of Man’s Desiring”

If you teach cello students like I do, and use the Suzuki books, chances are many of your students get excited to play the Bach at the end of Book 1 and the beginning of Book 2.

Another good Bach option is Jesu, Joy Of Man’s Desiring, but If you’ve played an arrangement you’ll likely remember awkward shifts in G Major, overly-intricate rhythm notation, and a musical form out of reach for beginning students. I couldn’t find an arrangement out there without these problems, so I made my own. 

My duo and trio arrangements move Bach’s masterwork into C Major, the same key as his minuets in the Suzuki books. This does away with the awkward shifts, and showcases the cello’s most resonant key. I also simplified the form while retaining harmonic interest. 

The duo arrangement works great at a student recital, with a teacher accompanying on the second cello part. The trio arrangement is an excellent intro to chamber music for cello students.

Along with scores and parts, I’ve also included a series of Preparatory Exercises for students. These exercises isolate the C Major scale and all the diatonic arpeggios found in the piece. I’ve learned that students who first master the Preparatory Exercises prior to taking on the piece are much more successful! 

Finally, to aid home practice, I’ve included reference audio recordings (mp3 and wav) of the Preparatory Exercises, stems for each of the three cello parts separately, and the full trio.

Please share the download link for my arrangement with your students!

https://payhip.com/b/uy3Ll

JS Bach

Several students are currently learning Bach, so I’m sharing some all-time favorite recordings below.

Here is current CSO artist-in-residence Hilary Hahn back in 2007, performing a movement from Bach’s Sonata #2 in A minor for violin. Her ability to use double stops to bring out the multiple lines is amazing — at times it’s hard to believe only a single violinist is playing!

Hilary Hahn

Here is Leonard Bernstein with pianist Glenn Gould, performing Bach’s Keyboard Concerto #1 in D minor. Gould is able to bring Bach’s musical ideas to life on the piano, communicating their essence beautifully.

Glenn Gould / Leonard Bernstein

In this 1992 recording of the Prelude to Bach’s Cello Suite #1 in G Major, Dutch baroque cellist Anner Bylsma takes his time, reveling in the contours of Bach’s musical architecture. Bylsma’s baroque instrument resonates marvelously, recreating the pedal tone G in the opening bars that the organist composer surely had in mind.

Anner Bylsma

In this 1958 recording, violinists Yehudi Menuhin And David Oistrakh perform Bach’s Concerto for Two Violins:

Yehudi Menuhin, David Oistrakh

Here, early jazz musicians Django Reinhardt, Stephane Grappelli, and Chicago’s own Eddie South put their own spin on Bach’s Concerto for Two Violins in this “hot” recording:

Reinhardt, Grappelli, South

Cellist Yo-Yo Ma and vocalist Bobby McFerrin team up on the beautiful Air from Orchestral Suite #3, convincing us that Bach at the apex of the Baroque was master of both the old and the new. Bach seems to prefigure Chopin and Satie here as he tests the boundaries of G Major.

Yo-Yo Ma / Bobby McFerrin