Category Archives: Uncategorized

simple music worth noting

I found myself this evening dodging Chicago traffic on the way home and listening to an Eddie South recording from the late 1920s of By The Shores Of Lake Minnetonka, a popular tune from the era with Native American derivation. Chicago-based bandleader and violinist Eddie South was a child prodigy of classical violin who switched to performing jazz and popular music in the 1920s when racism foreclosed career options for him either with a major orchestra or on the solo circuit. South became arguably the strongest jazz violinist who has ever lived. In an era when it was not uncommon for violinists to front dance bands, South’s technique sparkles, outshining early jazz age violin contemporaries George Morrison, Erskine Tate, and Carroll Dickerson, and even second generation luminaries Joe Venuti and Stephane Grappelli.

While driving and listening, I was struck with the elegance of Eddie South’s performance on the recording. While South adorns the tune gracefully, the underlying musical idea is very simple.

It is a wonderful thing when a performer is able to reduce all possible complexity to its simple essence.

And not just great musicians, but all great artists, great thinkers, and great athletes possess this ability. They are able to take a wealth of experience and distill from it something very basic.

It is important it is to pay close attention to the seemingly simple, especially when offered by those with great experience.

A second example that came to mind as I was driving was composer JS Bach’s Two-Part Inventions, which contemporary jazz musician Jon Batiste recently pointed out in an interview were written for children. While hardly easy to play, they present a musical idea known as counterpoint in its most basic form. The big idea of counterpoint is that a single piece of music can be composed of two simultaneous voices that are mutually interdependent, without one being subordinate to the other. Simple — like a good human relationship.

Another image that flashed to mind was Einstein at the chalkboard, indicating his little formula E=MC2

In music, the simple ideas are often worth noting.

Minor Swing (Django/Grappelli)

Here’s a video playlist I made for the cellists in Knights of Jazz on learning the iconic gypsy jazz tune Minor Swing.

Trivia: Unsung heroes of the famous 1937 Paris recording of Minor Swing. Who played guitar? Who played bass?

Answer:

Joseph Reinhardt (Django’s brother) and Eugene Vees both played rhythm guitar. Louis Vola played bass.

David W. Niven Early Jazz Collection

Very excited to have come across this collection of 1000 hours of archived tapes with a specific focus on early jazz. There’s some hard to find Venuti and Ellington in here — looking forward to listening!

https://archive.org/details/davidwnivenjazz

From the archivist:

This is an extraordinary collection. It has been Mr. Niven’s life’s work. It represents the very finest American music of the twentieth century, and because Mr. Niven took the time and care to record these commentaries, he has produced a library that is accessible to everyone from jazz aficionados to jazz novices. For the Foxborough High School Jazz Program, which has enriched the lives of so many students, this remarkable compendium of jazz recordings should similarly enrich the program itself. This is all made even more remarkable by the fact that, had Mr. Niven not had the foresight to contact Steve Massey in 2010, this entire collection may have disappeared. How many collections of jazz like this get junked after estate sales every year? Thank you, David—your devotion to jazz will enrich the musical education of hundreds of students!

Published a string arrangement with JW Pepper!

Woohoo here’s to an accomplished summer goal!

Somehow I was able to figure out Sibelius Ultimate well enough to get a collection of four of my Knights of Jazz “hot” dance band style jazz arrangements into publishing form. Hopefully when string ensembles go back into session, some other orchestra teachers will be interested!

Early Jazz Classics For String Ensemble is now available for purchase at JW Pepper!

Knights of Jazz Summer Season

The Knights of Jazz wrapped up a great summer. The rhythm section is hittin’. We rehearsed this tune list, building our comfort level with soloing, trading fours, etc:

The Saints, Jericho, Oh Susanna, Honeysuckle Rag, Black And
Tan Fantasy (Ellington), Take Me Out To The Ball Game, From Bethena (Joplin).

I hoped to book a back to school nursing home outdoor gig, but so far nursing home contacts haven’t followed up, perhaps due to concerns with Covid-19.

Journey toward jazz

I guess 38 is as good an age as any to become a jazz cat, and 2020 as good a year. Technically, this journey began last year. Or maybe it began in 2003 when Black Tie Elephant played our take on the Charlie Parker tune A Night In Tunisa; however, I’ve hit such a concentration of jazz-related milestones over the last two years that I decided to make a list. My goal: track progress over the last two years, stay positive, and stay motivated. In particular my most recent milestone, which I achieved last weekend thanks to #stayhome, has me really feeling like a real jazzer. This all said, the main musical takeaway of #stayhome, for me anyway, is the importance of being together in playing music. So, following the list of milestones I’ve listed a couple of goals. Top of that list: putting some real life, in-person jazz jams on the calendar at Soapbox.

20 Milestones:

  1. My brother recommending Duke Ellington when I mentioned being interested in finding some jazz with “great chords and voice-leading.”
  2. Listening to the Okeh Ellington (late twenties) collection non-stop for about three months.
  3. Discovering twenties NYC/Chicago jazz, and New Orleans trad jazz as separate and unique musical styles.
  4. Transcribing (well, starting to transcribe) my favorite two tunes on the Okeh collection.
  5. Transcribing a few solos from those tunes.
  6. Learning to play the solos on cello.
  7. Buying some Ellington piano books.
  8. Reading Ellington’s autobiography Music Is My Mistress.
  9. Jamming on cello on some blues at the open mic at Rosa’s with the remarkable Chicago blues pianist Ariyo.
  10. Arranging an early Ellington tune for my high school string group.
  11. Receiving impromptu jazz theory lessons from the high school jazz band teacher at the school where I teach.
  12. Learning from the jazz band teacher about the importance of the Dominant 7 flat 9 chord to early jazz.
  13. Going deep into diminished chords with Chromawheel and cello.
  14. Discovering Eddie Lang, the king of diminished passing chords.
  15. Discovering Joe Venuti, one of the OGs of jazz violin.
  16. Starting an all strings early jazz group, the Knights of Jazz String Band, and arranging a bunch of tunes for them.
  17. Performing Mack The Knife and Ellington’s It Don’t Mean A Thing in a combo with the jazz band teacher on trumpet, a professional jazz guitarist, and some talented student players.
  18. Starting to actually hear the chord quality of ii-V-I progressions in tunes.
  19. Starting to actually hear diminished chord quality in tunes.
  20. Thanks to #stayhome, ‘shedding a tune for the first time. By this I mean playing It Don’t Mean A Thing in all 12 keys. And even focusing on the “dark side of the moon”: the keys of Db/C#, Gb/F#, and B/Cb.

Some future goals:

  1. Play with more jazz musicians as soon as this quarantine is lifted! Invite Jacob, Trumpet Tom et al to Soapbox jazz jam.
  2. Continue shedding tunes in all 12 keys.
  3. Continue getting comfortable with diminished chords.
  4. Transcribe some trad jazz clarinet ossia lines since some are just incredible. For example https://youtu.be/pwhQ918ZYFI?t=45m27s
  5. Do another arrangement for string jazz band.
  6. Write some Cello Blues.